Text source: By the late 1920s he had reverted to a more sonorous tonal painting, still enlivened by brilliant colour chords, but weightier and cooler. Sir Matthew Smith 1879—1959. Taken on March 21, 2010.
Samuel John Peploe, 1871 - 1935. In Edinburgh Peploe met fellow artist J. Art Term.
Mabel Nicholson 1871—1918. Samuel John Peploe Tulips 1923. Characteristic still lifes from the early 1900s suggest a keen interest in Manet and, via Manet, Spanish still life, particularly those by Francisco Zurbaran.
Every work of art is the child of its time, often it is the mother of our emotions" Adrian Glew Kandinsky. James Pryde 1866—1941. His second exhibition in 1909 was successful but his eyes were turning to Paris and the next year he moved and married Margaret MacKay whom he had met on a painting trip to Barra in 1894.藝苑掇英 Samuel Peploe A 塞繆爾·佩普洛 (1871-1935) Post-Impressionism British
It was through painting holidays in Northern France that he was introduced to the use of bold colour, inspired… Read more about this artist. From 1914 he was a regular visitor to Dumfries and Galloway, particularly Kirkcudbright and also from 1919 onwards to the isles of Iona. Born in Edinburgh and educated at the Collegate School in Charlotte Square, he had good academic ability but no interest in the professions, preferring to walk, sail or sketch.
Leslie Hunter 1877—1931.
Related products. All rights reserved. Dame Ethel Walker 1861—1951. Best known for his still lifes of tulips, Peploe had a wide range of subjects including figure painting and particularly landscape.
Read More. His family and closest friends knew a wickedly funny, compassionate and sincere man.
His second exhibition in 1909 was successful but his eyes were turning to Paris and the next year, he moved there with his new wife, Margaret MacKay, whom he had met on a painting trip to the Isle of Barra in 1894. Recent Photos. By 1906 his earlier still life and figure paintings, characterised by dark backgrounds, gave way to paler colours, greys and pinks. Blyth — who ran a linen mill in Kirkcaldy — and Robert Wemyss Honeyman — a Kirkcaldy farmer and textile manufacturer — who regularly purchased works from his studio and exhibitions.