What does homophonic and polyphonic meaning

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what does homophonic and polyphonic meaning

This could also be called chordal music. Fabric is just one of many materials we describe as having a texture. Also Mentioned In. By using our site, you acknowledge that you have read and understand our Cookie Policy , Privacy Policy , and our Terms of Service.

what does homophonic and polyphonic meaning

The 16th century madrigal was a polyphonic secular song form, with melodic interest shared between the most frequently 5 voices. Please try again later. They may be of different length, and their starting and ending points do not coincide.


This compilation would later be known as Gregorian Chant. Presumably that's why we don't need a word for it... Much of today's jazz, pop, and rock music, for instance, is homophonic. In a prototypical example, the latter could be chords on a lute. Select feedback type: It was around the year 600 when Pope Gregory the Great also known as Pope Gregory 1 wanted to compile all the different types of chants into one collection.

what does homophonic and polyphonic meaning

The Middle Ages applications organs In keyboard instrument: Tips For Editing. There was a problem with your submission.

What is Homophonic Texture?

In its 21st-century urban and institutional manifestation, folk music is normally performed by singers accompanied by stringed instruments, by instrumental ensembles, or by choruses. Polyphony means music with more than one part, and so this indicates simultaneous notes. Chris Chris 1,909 12 36.

Types of Musical Texture

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what does homophonic and polyphonic meaning

This musical texture refers to the use of two or more melodic lines, which are distinct from each other. Polyphony music. Our editors will review what you've submitted, and if it meets our criteria, we'll add it to the article. Laurence Payne Laurence Payne 34.

what does homophonic and polyphonic meaning

There is often some confusion between the terms monophony and monody. We also use the word texture in a similar manner when describing the particular combination of tempo, melody, and harmony in a piece of music.

These terms are by no means mutually exclusive , and composers from the 16th through the 21st century have commonly varied textures from complex polyphony to rhythmically uniform homophony, even within the same piece.