The Banga or pot dance is a contemporary performance of Kalinga of the Mountain Province in the Philippines. Aside from the traditional cultural dances, they had infused some contemporary modern steps, hip-hop, zumba moves to make some of the folk dances fun to watch.
The Civic Center Plaza was shaking and everyone had a blast!! It depicts a man courting a woman with the restriction of touching her.
Heavy earthen pots, as many as seven or eight at a time, are balanced on the heads of maidens as they trudge to the beat of the "gangsa" or wind chimes displaying their stamina and strength as they go about their daily task of fetching water and balancing the banga.
Ifugao Choreography: Tinikling Choreography: Bamboo Clickers: These adult performers volunteered their time and talent to act as ambassadors of the association and help the organization raise funds for its projects like college scholarships, supporting public libraries, senior centers and fellow Filipinos who need help in the Philippines.
In this dance, performed by both men and women, the movements mimic those of a rooster scratching the ground.
The adult cultural dance group goes to different places and functions to perform for donations. In this dance, the salakot is used to enhance the dance figure and hand movement.
It is related to some of the Spanish dances like the bolero and the Mexican dance Jarabe Tapatio or the Mexican Hat Dance that resembles the courtship through the interpretation of the dancers in the process of dancing.
Kalinga Choreography: The Ifugaos of Mayaoyao in Cordillera have hundreds of small and large feasts called canao. Dancers imitate the tikling bird's legendary grace and speed as they skillfully play, chase each other, run over tree branches, or dodge bamboo traps set by rice farmers. It was originally danced between 'bayuhan', two wooden pestles used to pound the husks off the rice grain.
This dance was originated in the Panay Islands on the Visayan Islands and it was introduced by the Spaniards during their colonization of the Philippines. This joyful dance serves as a prayer of thanksgiving for a bountiful rice harvest. In this dance, the salakot is used to enhance the dance figure and hand movement. The uyaoy is mainly celebrated by a Kadangyan or chieftain of the village in order to reaffirm his social status in the community and his possible entry to the village's council of elders.
They believe that through their dance, they can spread goodwill to the community and be instrumental to the good causes of the organization. Hence it is named after the bird, tikling.
Bulaklakan, a lovely and attractive dance, is danced for this occasion. This time, it will be used with sexy and catchy moves to the delight of the audience. Bamboo clickers: